Image Engineering: AI Imaging

• This major focuses on researching technologies that implement the real world within the cyber world, such as 3-D imaging, digital image processing and recognition, and augmented reality (AR) technology.
• In this field of advanced digital imaging technology, the research includes the synthesis of the real and virtual worlds, analysis of 3D robot vision systems, intelligent imaging models, immersive visual systems, and the construction of 3D virtual environments.

Professor	Laboratory	Location	Contact Information
JoonKi Paik	Visual and Intelligent Systems Laboratory	Room 608, Building 301 / Room 617, Building 207	SangWoo Yoon : ysw418@ipis.cau.ac.kr
YoungBin Kim	Intelligent Information Processing Laboratory:	Room 620, Building 207:	KyoHoon Jin : fhzh@naver.com
JongWon Choi:	Visual Intelligence Lab	Room 620, Building 207:	HoJunJung : wjdghwns0205@gmail.com
ChanHo Eom	Cognitive Artificial Intelligence Laboratory	Room 108, Building 301	Giyeol Kim : giyeolkim@cau.ac.kr

Image Engineering: AI content

• Through research on two-dimensional and three-dimensional images, modeling and rendering, and animation, it aims to foster competitive manpower that can develop new expression technologies and environments and develop future applications.
• Through this, it is possible to realize Virtual Environments/Synthetic Environments that are difficult to actually work or practice in various fields using simulations in artificial environments that exist or do not exist using computers and peripherals.

• In addition, the production and utilization of intelligent and efficient game contents are studied by applying improved interactive technology. It is possible to actively and effectively implement information, entertainment, and art elements of content through research such as improving the production environment of multimedia and game contents, an interface that enables creative interaction, intelligent response of content, efficient use of content, watermarking, and information protection technology to protect content.

• In particular, it is possible to implement a metaverse that can freely interact with the real world through convergence research of such video games, computer graphics, 3D/AR/VR, interactive technology, visual perception science, and artificial intelligence technologies.

Professor	Laboratory	Location	Contact Information
YoungHo Chai	Virtual Environment Lab	Building 207 No. 116	JaeYoung Ryu : puls36@cau.ac.kr
WonHyung Lee	Computer Games & Cultural Technology Lab	Room 116, Building 301 :	Kihyuk Lee : leeyy3162@gmail.com
TaeYong Kim	Game Technology and Applications Lab	Room B108, Building 301	Seungri Yoo : yosr94@naver.com
HakGu Kim	Intelligent Metaverse Labs	Room B205, Building 301	HannYeong Lee : hanu14@cau.ac.kr
JiHyong Oh	Creative vision and multimedia labs	Room 108, Building 301	ChangHyun Noh : changhyunroh@cau.ac.kr

Image Engineering: Technology Art

• Technology Art aims to create and apply content using digital media. It is dedicated to the study and creation of aesthetics, philosophy, and literature of the digital age in order to produce new discourses and products (such as works for exhibition and performance and environmental sculptures) in the digital media age.

• This course studies interactive media arts and applications based on digital media. Students research and execute artworks, media facades, projection mapping, 4D performances, digital entertainment, and 3D imaging systems that utilize the characteristics and advantages of digital imaging technologies, and create advanced media objects such as kinetic medium objects. They also experiment with the possibilities of utilizing all digital media through master planning and production of digital environmental sculptures.

Professor	Laboratory	Location	Contact Information
Hyung-Gi Kim	Digital Arts and Engineering Applications Lab	Room B217, Building 301	YooSun Ham : hys2476@naver.com
JinWan Park	Future Media Lab	Room 117, Building 301	HyEin Yoon : salt9103@gmail.com

Major Of Film/Multimedia: Film, Animation & Media Studies

• Film, Animation & Media Studies major provides an in-depth level of graduate education in the context of the arts and humanities..
• A theoretical study of all forms of moving image culture, including film, animation, television, and digital media, the major covers Korean cinema, film history, film theory and criticism, animation studies, technological aesthetics, media culture, experimental film and video, documentary, post-cinema studies, and contemporary Asian cinema.

Professor	Laboratory	Location	Contact Information
JaeCheol Moon	Film, Animation & Media Studies Lab	Room 120, Building 301	DongMin Seo : gsaimtheory@gmail.com

Major of Film/Multimedia: OTT-Content Planning/Policy/Business

• This major aims to cultivate specialized personnel in the fields of planning, management, and policy related to the video content (OTT, movies, dramas, webtoons, animation, games, etc.) industry based on their expertise in video.
• To cultivate creative talents with insight into culture and arts as well as an understanding of the video industry, we focus on teaching specialized knowledge in video theory and practice through an integrated connection with the field.

Professor	Laboratory	Location	Contact Information
TakHoon Kim	Content Production & Character Animation Labs	Room 118, Building 301	JinKyung Kim : yoheyjin@naver.com
HeeYoung Cho	Content Planning/Policy/Business Lab	Room 120, Building 301

Major of Film/Multimedia: Film & Media Production

• The entire process of filmmaking, including planning, pre-production, production, and post-production, is repeated and deepened through filmmaking workshops, advanced production workshops, and the production of graduation works, while strengthening the theoretical knowledge required in the production process, such as directorial studies and genre film studies, Mise-en-scène, editing theory, cinematography aesthetics, cinematography master class, directing master class, and sound studies. Through such an intensive program, students can expect to secure film production support, enter film festivals, and have a high-quality portfolio upon graduation.

Professor	Laboratory	Location	Contact Information
KiUng Bak	Film & Media Production Lab	Room 120, Building 301	YeonJi Jung : cau_mfa@naver.com
ChangJae Lee	Film & Media Production Lab	Room 120, Building 301	YeonJee Jeong: cau_mfa@naver.com
JungIn Choi	Film & Media Production Lab	Room 120, Building 301	JungMin Lee : gomi032@gmail.com

Major of Film/Multimedia: Immersive Media/Animation Contents

• The course consists of planning, directing, and production techniques, focusing not only on traditional animation production such as 2D and stop-motion, but also on CG-based 3D animation production and realistic media content production such as AR and VR.
• It also researches and develops creative forms of content that harmonize art and technology in conjunction with digital imaging/artificial intelligence technologies.

Professor	Laboratory	Location	Contact Information
JaeWoong Kim	2D Animation and Stock Motion Animation Labs	Room B214, Building 301	JiSun Byeon : jsbyun1202@naver.com
WookSang Chang	3DXR Content Lab	Room 301, B215 / Room 301, B216	Ryu Hyuk: ryu6537@naver.com
TakHoon Kim	Content Production & Character Animation Lab	Room B214, Building 301	JinKyung Kim: yoheyjin@naver.com
GyuHyun Kim	Character Animation Development Lab

Major Of Film/Multimedia: Special Effects for Image Contents

• Video special effects are widely applied to various video contents, and as digital and computer technologies have advanced by leaps and bounds, there is an urgent need not only for research, development, and training of special effects-related technologies, but also for the training of artists who can understand the technologies and sublimate them into artistic values.
• Therefore, the special effects production major focuses on cultivating creative visual arts personnel who understand the technical field of video and can fully utilize it in creating works.

Professor	Laboratory	Location	Contact Information
SurngGahb Jahng	Special Effects Lab

Entertainment Technology

• The Entertainment Technology major aims to cultivate entertainment-related professionals who will change our daily lives with new cultural technologies and contents based on a balance of engineering and art.
• Throughout the pre-graduate program, we aim to cultivate talents who can actively solve problems in related fields by pursuing practicality and professionalism, creativity and artistry at the same time.
• It covers the latest research topics such as digital humans based on interactive entertainment content, immersive content, and the development of artificial intelligence applications, as well as various convergence studies across culture, art, and technology.

Professor	Laboratory	Location	Contact Information
DongHwan Har	Digital Science and Photography Lab	Room 106, Building 301	DooHee Cho : doit73@hanmail.net
Boa Rhee	Cultural AI Lab
SangHyun Seo	Graphics Realization Lab
TaeKyung YOO	Virtual Interaction Lab
Daewon Lee	Complex Intelligent Systems Lab
JaePil Jeong	3D Design Lab

Creative Masters

• The purpose of the Creative Master major is to contribute to the production of cultural discourse in all fields of video by fusing some fields of engineering and art into a major, and to build a new academic system through various creative-based research. To this end, it is necessary to pioneer research fields and create an environment where video art and video technology personnel creatively converge, and to create a global creative content ecosystem, it is necessary to study content that goes beyond the limits of current industrial approaches such as content, platform, network, and device (CPND), where creative ideas themselves become a profession.The Creative Master's major will provide a curriculum to train subjective experts who can create new value beyond the existing perspectives and perceptions of engineering and art. (The course is operated by all professors in the Graduate School of Advanced Imaging).